I’m really pleased with that.” Of the Best Editing nomination for Jabez Olsson, he said: “Jabez and I spent the four years in the trenches together, so I am very pleased for him.This is FRESH AIR.

“We did a lot of groundbreaking work, so it’s really great that the guys who did that work are part of the Emmy nominations. Get Back is all about the sound, and restoring the sound and developing the AI things to separate the musical tracks.

It’s not really a documentary…and that’s all I can really say.”ĭiscussing the Emmy nominations, he added of the two nods for Sound Mixing: “ always a category that people don’t hold in the highest esteem, I guess would be a way to say it, other than people who work in the field. “We’re seeing what the possibilities are, but it’s another project with them. “I’m talking to The Beatles about another project, something very, very different than Get Back,” he said. In other McCartney news, Peter Jackson, director of the epic Get Back docuseries that has garnered five Emmy nominations including for Best Documentary Series, revealed recently to Deadline that another Beatle-related project may be on the cards. Not least, that all three are unafraid or embracing the less commercial aspects of music.” The boxed set has already won rich praise from media, with The Quietus awarding it Reissue of the Week status, Darran Anderson’s review subheading stating “this trilogy of self-titled albums is studded with gems and give us a clearer idea of who Paul McCartney actually is.” In Classic Rock, Everett True notes: “Though spread across fifty years, there are striking commonalities between the McCartneys.

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